Music Production Insights to be Learned from Bob Ross

Bob Ross painting a happy tree

Bob Ross painting a happy tree

For some reason I’ve always enjoyed watching episodes of Bob Ross’s “The Joy of Painting” when it airs on our local PBS station every Saturday morning.   All this time I could never quite figure out why I found this show so interesting.   Is it his 70’s era fro that could send the Brady Bunch into a fit of jealousy?  Or is it his Hoosier-sounding accent that reminds me of some of my relatives?   Or is it the peaceful way that he creates his art, allowing himself the freedom to make anything he wants in his world, happy trees, a mountain stream, a quiet meadow, in such an effortless way?  He even says that line that I like so much  “.. there are no mistakes, just happy accidents“.  How cool is that?  I should tattoo that across my forehead someday.  If only my boss had the same philosophy about my work?

For so long I could never pin-point the real reason that I like to watch this show until it finally hit me one day.   Much of the same mental process of visualization happens within my mind’s eyes & ears when producing a piece of music as it does in creating a painting.

If you think of songs as “audio paintings of sound”  then you can gain some insights by watching how paintings come together.   I’ve always tried to visualize my music in the same way, as if it is a painting in my mind that I’m trying to realize in sound.

Care and Feeding of Your Creative Mind

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One of the myths that a lot of non-musician types tend to think about people who write music (or create most any kind of art) is that these people are struck by lightning bolts of creative inspiration out of the clouds and handed their new ideas as a flash of inspiration all at once, as if creative people are like Moses and are able to hear God talking directly to them, writing it all down on a stone tablet or something. While there are times when some songs are written like this (Paul Simon’s “Bridge Over Troubled Water” is one example), it is not that common for most people on a regular basis, and certainly not for me. You can’t count on those lightning bolts of creative ideas, in full detail, dropping into your lap from out of the heavens on a regular basis. In my experience, the creative mind is actually kind of quiet, shy, soft-spoken, and lazy if left alone.   It takes a certain amount of nurturing and old-fashioned hard work to make full use of your fountain of creativity from this part of your brain.   I also know that everyone has a creative mind, whether or not they take full advantage of it.  But not everyone tries to tap into it on a day-to-day basis, and it’s under-utilized for a lot of people.  Songwriters, painters, authors, poets, and even software developers are some of the people who are more accustomed to working with this part of their mind (what some people refer to as the right brain) and try to tap into it more often.  If you’ve ever made up a joke, on the spot, and wondered where your “quick wit” came from, it came from this same place in your brain that all other creativity comes from – I like to call it “creative mind”.

You have to treat creative mind, as if it is a separate person living inside your subconscious that you can’t speak with directly. It can’t be summoned at will, so don’t even try. But you can encourage him to get out of bed, and get his lazy ass to work, and prepare yourself to listen for his ideas when he finally decides to speak to you at whisper-volume (this is the way he speaks most of the time, he doesn’t usually talk loudly, so you’d better be listening for him as he will often go back to sleep just after he has explained his latest/greatest idea to you).

Welcome Crazy Composers!

Jim Pfeifer

Jim Pfeifer

Why the Crazy Composer Blog?

Most creative pursuits require some amount of craziness on behalf of the creator.   Letting go of your inhibitions, and stifling your inner critic, requires a certain amount of craziness.  It’s only through that process of letting go that ultimately lead you to your best work.  This has been my own experience, both as a musician and a composer.

I created this blog to share my passion for creating music, as well as my love for teaching about various aspects of the music creation process.    As a composer today there are so many things that one needs to develop skills in (often it is equal parts musical and technical).   This process can become almost overwhelming when you look at from the perspective of a solo composer, creating their own work in a project studio, playing most of their own parts:

  • musical concepts and theory
  • knowledge of various genres and styles of music
  • orchestration skills
  • performing techniques (assuming that you are playing your own instruments)
  • recording and production techniques
  • sound design and knowledge of various software used in music making
  • IT skills
  • knowledge of the music business
If trying to simultaneously juggle all of these aspects doesn’t make you go crazy, then I should probably come up with a new name for my blog.  Crazy or not, I find this whole environment exciting!  There’s nothing like the thrill of hearing your finished production through the studio monitors for the first time, after starting with an initial spark of an idea in your head and sculpting it into a finished work.  I live for this!  It demands every ounce of talent I can muster and every remaining brain cell I still have left after college.  When a piece finally comes together, there’s simply nothing like that thrill of hearing it fully realized.

There are tons of web sites focused on reviewing music gear, or teaching guitar licks, but I haven’t found many sites dedicated to the big picture, the art of composing music in a project studio.   I wanted to create this blog to serve as both an ongoing journal of my own composing projects, but also to share what I’ve learned with others as I make my own journey through this.  If you find any of my own insights to be useful to you on your own musical journey, then I’ve accomplished my mission.